World Enough Poems
by on 2013-06-28 22:44:13, Revised
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World Enough Poems In World Enough Maureen N McLane maps a universe of feeling and thought via skyscapes city strolls lunar vistas and passages through environments given and built These poems explore how we come to know ourselvessensually intellectually politically biologically historically and anthropologically Moving from the most delicate address to the broadest salutation World Enough takes us from New England to New York to France to the moon McLane fuses song and critique giving us poetry as musical thought in Carlyles phrase Shuttling between idyll and disaster between old forms and open experiment these are restless probing exacting poems that aim to take the measure ofand to give a measure forwhere we are McLane moves through many forms and creates her own invoking the French Revolution alongside convolutions of the heart and revolutions of the moon Shifting effortlessly between the species and the self between the sentient surround and the peculiar pulse within World Enough attests to experience both singular and shared not that I was alive but that we were Maureen N McLanes essays have appeared in numerous publications She is the author of Same Life She received the 2003 National Book Critics Circle Nona Balakian Award for Excellence in Book Reviewing She teaches at New York University In World Enough Maureen N McLane maps a universe of feeling and thought via skyscapes city strolls lunar vistas and passages through environments given and built These poems explore how we come to know ourselvessensually intellectually politically biologically historically and anthropologically Moving from the most delicate address to the broadest salutation World Enough takes us from New England to New York to France to the moon McLane fuses song and critique giving us poetry as musical thought in Carlyles phrase Shuttling between idyll and disaster between old forms and open experiment these are restless probing exacting poems that aim to take the measure ofand to give a measure forwhere we are McLane moves through many forms and creates her own invoking the French Revolution alongside convolutions of the heart and revolutions of the moon Shifting effortlessly between the species and the self between the sentient surround and the peculiar pulse within World Enough attests to experience both singular and shared not that I was alive but that we were it s is a professor of English at NYU a prolific book critic and specialist in British romanticism Her academic proclivities are readily apparent in her second collection what is called thinking is obsessing she writes echoing and answering the German philosopher Martin Heidegger This book has the overall feel of a poetic diary with meditations on the changing seasons travel politics love affairs and the mind itself as McLane Same Life ventures to understand via various methods what it means to live in a particular epoch The question is the ratio of the palpable hurt to the general session of life in an era There and elsewhere McLane crosses the streams of academic and accessibly passionate language creating a kind of emotional autobiographical criticism in hip free verse rain rain and the trees engulfed I am tired of reading Russians their suffering souls their tribulations McLane armed with a sharp wit engages in an ambitious poetic project as she confronts the very meaning of the shadowed hours of time past present and future Publishers Weekly starred review With a title evoking Marvell McLane s second collection adheres to his dictum that though we cannot make our sun Stand still yet we will make him run even as her poems drift and spill down these pages like rain Often employing syllabic minimums especially in the longer poems McLane uses simple diction that butts up against the philosophical and profound Generic words like cloud s rain wind sun are reiterated to form a shifting web that explores the weathers and the whethers beginning in a locus the poems gaze outward toward the whatevers of space time trying to split sometimes violently the poem moments apart like atoms of experience McLane who s noted for her literary criticism and scholarship also demonstrates an ease with Blakean lyric With disarming playfulness even whimsy she interrogates what self is and what language means in a physically spiritually and materially stormbashed world where Nothing in nature that is ours is ours Though playful these poems are not for literary wimps Occasionally what begins so engagingly starts to feel like sound bite or the image flash of commercial TV something McLane herself seems aware of but at their best these poems fuse musicality and wordplay into ingenious thought highly recommended Library Journal Praise for Same Life A dazzling poetry collection Elizabeth Taylor Chicago Tribune Same Life is such a tour de force that ti s hard to believe it s Maureen N McLane s first collection It takes a combination of hubris and humility to write variations on Sappho and McLane has both in After Sappho a series of poems that is equal parts translation adulation and transformation McLane s got a razor sharp and snarky sense of humor too and a deft hand at love poems Kel Munger Sacramento News and Review Do not read this book if you do not want to feel anything Whether you ve had one love or many or no you will identify with some part of this experience If you are a poet you will identify with the impossibility and necessity of putting it on the page Kascha Semonovitch The Kenyon Review Reading Maureen N McLane s Same Lifeis like discovering Franois Truffaut s first films this is an exhilarating brilliant poet and a thrilling first book Frank Bidart The dance of the mind and the language adorning it is intricate bold and precisely enacted through every line of Maureen N McLane s Same Life A thoroughly exhilarating and significant debut NGAugust Kleinzahler
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