The Beats A Graphic History
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The Beats A Graphic History In The Beats A Graphic History those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself Told by the comic legend Harvey Pekar his frequent artistic collaborator Ed Piskor and a range of artists and writers including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper The Beats takes us on a wild tour of a generation that in the face of mainstream American conformity and conservatism became known for its determined uprootedness aggressive addictions and startling creativity and experimentation What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion and this striking anthology captures the storied era in all its incarnationsfrom the Benzedrine fueled antics of Kerouac Ginsberg and Burroughs to the painting sessions of Jay DeFeos disheveled studio from the jazz hipsters to the beatnik chicks from Chicagos College of Complexes to San Franciscos famed City Lights bookstore Snapshots of lesser known poets and writers sit alongside frank and compelling looks at the Beats most recognizable faces What emerges is a brilliant collage ofand tribute toa generation in a form and style that is as original as its subject Harvey Pekar is best known for his graphic autobiography American Splendor based on his long running comic book series that was turned into a 2003 film of the same name Paul Buhle is a senior lecturer at Brown University In The Beats A Graphic History those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself Told by the comic legend Harvey Pekar his frequent artistic collaborator Ed Piskor and a range of artists and writers including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper The Beats takes us on a wild tour of a generation that in the face of mainstream American conformity and conservatism became known for its determined uprootedness aggressive addictions and startling creativity and experimentation What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion and this striking anthology captures the storied era in all its incarnationsfrom the Benzedrine fueled antics of Kerouac Ginsberg and Burroughs to the painting sessions of Jay DeFeos disheveled studio from the jazz hipsters to the beatnik chicks from Chicagos College of Complexes to San Franciscos famed City Lights bookstore Snapshots of lesser known poets and writers sit alongside frank and compelling looks at the Beats most recognizable faces What emerges is a brilliant collage ofand tribute toa generation in a form and style that is as original as its subject This revelatory and exhilarating and funny book not only tells us of the Beat generation but of a time when we as individuals felt truly free It is as fresh and pertinent as the latest scholarly history only far more entertaining Studs Terkel This revelatory and exhilarating and funny book not only tells us of the Beat generation but of a time when we as individuals felt truly free It is as fresh and pertinent as the latest scholarly history only far more entertaining Studs Terkel History with a deeper perspective is the province of The Beats a multifaceted effort led by writer Harvey Pekar his frequent collaborator Paul Buhle and artist Ed Piskor It delivers the texture of a movement easy to underestimate in brief biographies of touchstones like poet Lawrence Ferlinghetti novelists William S Burroughs and Jack Kerouac and lesser known lights like poet d a levy an underground Cleveland icon and mythopoeic poetess Diane di Prim
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