Perfecting Sound Forever An Aural History of Recorded Music
by on 2013-06-28 22:44:16, Revised
Perfecting Sound Forever An Aural History of Recorded Music views
 |
Welcome to the Go through Consumer Reviews Merchandise and Perfecting Sound Forever An Aural History of Recorded Music. with Shop reduce costs.
Perfecting Sound Forever An Aural History of Recorded Music In 1915 Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh and blood musician Today the equation is reversed Whereas Edison proposed that a real performance could be rebuilt with absolute perfection Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were In between lies a century of sonic exploration into the balance between the real and the represented Tracing the contours of this history Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape Japanese and Dutch researchers build a first generation digital audio format and watch as their compact disc is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists The music world becomes addicted to volume in the nineties and fights a self defeating loudness war to get its fix From Les Paul to Phil Spector to King Tubby from vinyl to pirated CDs to iPods Milner pulls apart musical history to answer a crucial question Should a recording document reality as faithfully as possible or should it improve upon or somehow transcend the music it records The answers he uncovers will change the very way we think about music Greg Milner has written about music media technology and politics for Spin Rolling Stone The Village Voice Slate Salon and Wired He is the co author with the filmmaker Joe Berlinger of Metallica This Monster Lives and has also worked as a political speechwriter He lives in Brooklyn A National Book Critics Circle Award FinalistIn 1915 Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh and blood musician Today the equation is reversed Whereas Edison proposed that a real performance could be rebuilt with absolute perfection Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were In between lies a century of sonic exploration into the balance between the real and the represented Tracing the contours of this history Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape Japanese and Dutch researchers build a first generation digital audio format and watch as their compact disc is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists The music world becomes addicted to volume in the nineties and fights a self defeating loudness war to get its fix From Les Paul to Phil Spector to King Tubby from vinyl to pirated CDs to iPods Milner pulls apart musical history to answer a crucial question Should a recording document reality as faithfully as possible or should it improve upon or somehow transcend the music it records Perfecting Sound Forever is an exhaustively researched extraordinarily inquisitive book that dissects the central question within all music criticism When we say that something sounds good what are we really saying And perhaps more important what are we really hearing Chuck Klosterman author of Downtown Owl And in the beginning there was no recorded sound For millennia music lovers had to play songs for each other in order to hear their favorite music Because of this perhapsas Greg Milner points out in his exhaustive technically precise and fascinating survey Perfecting Sound Forever An Aural History of Recorded Musicthe primary objective of the earliest sound recording was verisimilitude Hence the term high fidelity created for the listener who might fret about impurities that could arise as a consequence of reproducing music Perfecting Sound Forever frames the divide between authentic reproduction and the willful manipulation of sound as the 100 year dialectic that has spurred every new technological advancement in recording Certainly it has stoked an ongoing debate among fans and industry professionals like a fractal tape loop Perfecting Sound Forever is best when it takes readers on the labyrinthine journey through the tiny warrens and corporate sponsored laboratories of the inventors musicians and hustlers who helped advance sound recording We learn for example that microphone technology was perfected at Bell Telephone Labs in the early 1920s as part of an extensive experiment to improve the reception of telephone transmissions Soon after Bell Labs became the most important incubator of recording technology in the world aided in no small part by the barnstorming efforts of a classical maestro named Leopold Stokowski Milner describes in compelling detail how Stokowski became the world s great proselytizer of microphone recording producing the first commercial electrically recorded performance with the Philadelphia Orchestra in 1925 then enthusiastically cooperating with Bell Labs when it separated the orchestra s high and low frequencies in two separate channelsthe first example of Stereophonic sound If the first half of Perfecting Sound Forever tracks a fitful trajectory toward the apex of analog recording glory the second halfat least by Milner s lightsmaps its decline and fall into the garish hyper realism of digital recording Cannily using Def Leppard s Hysteria as a swan song for the analog era Milner describes a recording process overseen by producer Mutt Lange that was marked by the desire to fix everything down to the individual note spending years building a sonic edifice and deciding which bricks to remove and tailoring the record s sound toward saleability rather than a traditional capture the performance idea of fidelity Marc Weingarten Los Angeles Times Partway through his new book on musics journey from the wax cylinder to the MP3 Greg Milner describes the emergence during the mid 50s high fidelity craze of a dubious psychiatric disorder called audiophilia defined by one doctor as a tendency to become preoccupied with and dependent upon recorded sound Im no medical expert but judging by the evidence presented in Perfecting Sound Forever it seems safe to say that Milner has a raging case of the stuff He delves so deeply into the hows and whys of recorded sound that you may never listen to Lady Gaga the same way again Milners story begins as far back as you can imagine The first thing the universe did was cut a record he writes likening the Big Bang to a sort of cosmic remix Then he winds his way forward with CSI like detail unpacking Thomas Edisons foundational wave capture work folk music obsessive Alan Lomaxs in the field innovations the rise of the multitrack recording studio and the digital revolution that set the stage for Pro Tools and Auto Tune Milner is a gifted storyteller Milner never loses his grasp on the humanity behind the music what fascinates him more than decibels and dead rooms is mankinds innate desire to document and preserve itself You might not think a book about reverb could thrill Milners does Mikael Wood Time Out New York Why did big rock radio sound like such absolute caca in the 90s culminating in the totally unlistenable Californication Greg Milners Per
Perfecting Sound Forever An Aural History of Recorded Music We are an online purchasing overview and examine charges offering 1000s of model identify from unbeatable prices. All of the goods are high quality product. And now evaluation
Price Comparison & Offers
NOTE: Product prices and availability are accurate as of the date/time indicated
3DMark11 Perfecting Sound Forever
next test
Google Perfecting Sound Forever
Perfecting Sound Forever
Category Average
0
140
280
420
560
700
840
No comments:
Post a Comment